These posters from 1995. They went onto the streets of Barcelona back then. And now they are going to be put back up on the streets of Barcelona again after 30 years. They are totally out of context, which makes them peculiar. It makes sense, and then it kind of doesn't. The address on the poster is for a building where I had my studio in the 90’s, but it was later torn down during the first property speculation bubble that burst in 2006. All the artists were thrown out, and the plan was to build a new apartment building, which never got built. It's now a community garden. If they had just left the building as it was, there’d one more place for artists to have studios.
Anyway, I thought it would be funny to reintroduce them out of context. They maybe totally irrelevant. We’ll see.
The Five Noble Bunnies, 235 × 180 cm, mixed media on linen metallic silver ground Popeye is Johnny Quest, 210 × 170 cm, 78 × 67", mixed media on linen metallic silver ground.
Collaborative painting show. We decided to work in the same format and similar theme format 2 × 1.5 meter paper works. JUJA at GalerĂa Esther Montoriol in Barcelona.
‘‘4 Happy Bunnies”. The flames coming out of their butts isn't about eating beans. Or farting. They are jetting through the sky. They are frolicking and free.
''Leaders Aren't Made, They’re Created'' The beaver is receiving special powers—superpowers, by the fairy. A fearless leader, or just a beaver on a tree trunk. Can beavers grift? 200 × 150 cm, 79’’ x 59’’, painted drawing (is that even possible?) on Fabriano paper, 2018.
"Love's Not Love” at Atelier Cora Egger, June 6, 2019, Barcelona. The theme of the show deals loosely with the theme of love in: carnal love, lost love, promised love; and the related themes of gender, power, morbidity, sexism, and pornography. This was the first time I had shown my work in a solo show in a long time. The work was new, and the timing of the show couldn't have been better. Thanks, Cora!
This was one of the first raster gnomes I painted. They are all the same theme and subject. A landscape, central gnome in the foreground. A knife in one hand, a bleeding heart in the other.
I was invited to a small group show at Cora's space a few months earlier. She offered me the space to do a solo show. Lots of artists and friends that I hadn't seen for a long time came out to the opening. That felt good.
The first rastered gnome I did, based on an animated ONCE pixel board ad (ONCE is a Spanish foundation for the blind). The original image was taken from a pixel board animation for Xmas lottery tickets. It was a simple animation of Santa's elves running along. I’d see it every day in the tunnel leading to the Ferrocarriles (Catalan commuter train).
200 × 150 cm, 79 × 59’’ mixed media on Fabriano paper, 2019.